“Chocz ne panśko, da i ne chamśko budem rozmowlaty” – a genre-stylistic characteristics of Ivan Nekrashevych’s works
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(10) + -/¥ ¥ ¥ ¥ " . 191. '_\ @\}\ ^\|[¦v| @|_`=`^] v`^=` («>\> x`¦ ^@}]~¦ {^»), \^` }| x@¦q\, @|^\v` ¦|, ~| «>| %@¦^=_ ^>|@| {@^`=`^», \ v v\^=\[ \^ {|¨}v\vv] |x|, =| «v\}\ =|^ ~ {|`=, {|}\= ^@=` \^\». ¥[\v >@\[` _ |_ @\¦ v\=]>\¨ v\ }@_x {|^\vv] \{|^=|\ \[\ }| >|@`v=]v: «| _^`| [^¦ ` ’][`=`^] {@} ^_}|[` {@^=|| %@`^=|[`, ~| >|v {@`v][ x¦}v| =`, ~| [ =¦¦ @|`[ [¦v, ` }|@, ` `q» (2 @, V:10), \ =\>| « ^ [¦} |x\, ~| v\^ {@``@`[ ¦ || ¥^_^| %@`^=| ¦ }\[ v\ ^_¦vv] {@``@vv]» (2 @, V:16). |[|\{|[¦=v¦ \¦§ {@`@|~_= ¦^= =>^=_, }|[|]= @`{¦¨v=|[¦ |^`^`=` |x| {@`q|[\v¦ ^v^`, x` @|_¦=` {@``v` =|x|, ~| {¦^] [\¨v|x| [`>@`==] '_\ ¦ ¦| {| @¦ {@|{|v_= >|{@|¦^` }] `@v|x| ^{¦[¦^v_[\vv] \@\}` [`^|>|§ =` – #\@^=[\ ^v|x|. «|x\^v\] ||`q |`=[\» (* \, v\{`^\v` ^`\¦v` [¦@) |^=\=|v| {@``@¨ {@^|v\¦[ |x| }¦\|x_. 1# \ ̈́ {@[\\= \@|>|[¦ @`^`: >|v=@\^=v¦^= ([`^|>-v`, v-v^v, [¦v-=¦vv, ^v|=\-x@¦q =|~|), \x|@`, x¦{@|¦\¦], ^>\}v¦ ¦ \x\=|v\v¦ {|@¦[v]vv], |¦v\ v\^v\v¦^= =>^=_. |}v|\^ =_= {@|^=_=^] ¦ >\^``^=`v¦ [{`[`, ]>¦ [`][]=^] _ [`@\v|_ }`}\>=`¦, {@|^=|=¦ =\ ]^v|^=¦ [`>\}_, [`@\\v¦ |~\}`[|^=¦ >v`v|§ |[`. ¥|[¦@v|, =[¦@ _[ v\{`^\v` }] {|[\vv] (]> =\=@\¦|[\v\ {@|{|[¦}) {\@\¦]v @>[` ^\ `v>`, } ^_`[ |= ¥[\v. [¦ {\^=`@^>` }|^[¦} [¦v {|>\[ ¦ [ |^v|[_ }¦\|x_ +. |v¦>= {’¨^` ¿@_v=_¨=^] v\ @¦v|_ =_\vv¦ x@¦q\ '_q¦[v`>| ¦ |x| {@`q|\v\`, ]>¦ {@`` v\ ^{|[¦}. []~v`> v\\x\¨=^] §q {@>|v\=`, ~| ^v^ =\§v^=[\ {|]x\¨ _ {@`x\}_[\vv¦ [`{\}>¦[ [¦}^=_{vv] [¦} ]q_ ¦^=`v`, v{|^_q_ |[_ ||_, _ [`v\vv¦ [¦v`q ` v[¦v`q {@|[`v, _ ~`@|_ ^\||^_}¦ >\]==¦. [^=_{v¦ @||[¦ {@` ^{|[¦}v`>| [¦v v\x\}_¨, ~| ^¦} « _=\>`» v\[\=` [`>¦ \¦ x@¦q`, [^x}\ | Q x@̈́v` [^̈́ ]>| |[̈́>`. \ =| `| | ^>\\=, }̈́\= ` {|`^`=, [̈́v| \ =| [^ x@̈́`, =| ` v`^`^`= 27. 27. \ , ^. 159..
(11) 192. ¥ . |=| '_q¦[v`> [`>\}\¨ =||x¦v_ =_ {@| =, ~| }`v\ \¨ @|_¦=` [\^v_ }_q|[v_ v}|^>|v\¦^= ]> x@¦q, \ x@¦q ]> {@|[`v_. ¦v v\x||_¨ v\ =|_, ~| }` =[|@]= «\>|v¦] [^x}\», v >\`^, \ ~| «Q= }|v| [| \}̈́». *@|_¦|, ~| =_= ¥[\v >@\[` {|>`>\¨=^] v\ ^|[\ \{|^=|\ ¥|\vv\: «|v, q=| `v`= x@¦q, `v`= ¦ \>|vv]. | x@¦q – =| \>|vv]» (1 ¥v. 3: 4). [=|@ ¦@|v¦_¨ =|x|, ~| {\@\¦]v`v ^{@`\¨ ^\>@\v {|v]==] \>|vv] _ {|_=|[|_ ({@|\vv|_) v\vv¦, =@\>=_` |x| ]> {|@_vv] @`}`v|x| \>|v_. ¦v | v¦>|x| v {|x@\_[\[ («q̈́\ =\ ^|` v\[`[»), ]> ¦ }|^¦, ^v| {@\¨, `[ [ v_}¦, \ v¦ >` v ^_}`=^]. '\¦ ||[¦> _}\¨=^] }| ^\|[`{@\[}\vv]: «| ] >|` |x@_, ] v =\> ]> }, / ~| ¦v¦ }\~| }\ ~ []x\= _}»28. | v\[`=` ^]v`v\ {@\[`v| ^{|[¦}\=`^] («x|[|@`=, ~| =@\»), {\v|= {|}\¨ ¿@_v=|[v` {@¦> x@¦q¦[ ¦ \>`>\¨ }| @=v|§ }_q|[v|§ @||=`. \ @]}¦ {@|=`^=\[v (^\>@\v-{@|\vv, v^v-v, q@`^=`]v^>\ |@=|}|>^¦] – v\@|}v\ |@\, @¦x¦v\ =@\}`¦] – {|_=|[` [`\, ¦^=`vv\ [¦@\ – \||v) \_¨=^] ¦ @||[\ '_q¦[v`>\ +¦v>|. []~v`> \{`=_¨, ` v _[\\ =\ _ [|@|>`, «~\^=`[| ̈́^=| v\= v\ {|^=@|>_ q\=`», ` v =[|@`\ «_=>` >|~_vvQ … [ [^̈́]q». {|[¦}v`] v\\x\¨=^] [`{@\[}\=` ^ =|>` |@_ {|_=|[|x| @|_¦vv] {@\[|^\[’]: [|v\ – }|>\ ^v|x| @|}_, v\[v\ \=>\` ^{¦[\=` «>|]}_[|> ` ~}@[|> ` |x\ _q[\]=`», @\ v\ @¦> x|[¦¨ ¦ \v_¨ {’]=v`. * x@¦q¦[ +¦v>\ x\}_¨ `, ~| |}v|x| @\_ [ {¦^v` }v |^>|@|`\^]: «|= @`v_| v\ x__, ]> ^Q@ |}>`}\\», \ ¦ «v\ ^|̈́ v̈́|x| v _¨». *\_[\vv] ^[]~v`>\ {@| =, ~| «}`v |x ^= x@̈́q\», «̈́@ [^ [| ̈́ `=», =| ¦ [|v\ – v [`v]=|>, @ ~| ^¦} @=v¦ x\}_[\=` ^[|§ {@|^=_{>`, ^{|[¦}v`] ^{@`\¨ ]> |@\_ ¦ [`][ _{@}v|x| ^=\[vv]. ¦^] |¦v|x| }¦\|x_ +¦v>| '_q¦[v`> _{\}\¨ [ @|{\ @ v@|_¦vv] [\`[|^=¦ ^{|[¦}¦ |x| {\@\¦]v\`. *v=v` ¦ @|\@|[\v`, [¦v |`=^] {@| }\@_[\vv] _}@|^=¦ _ =\>¦ ^>\}v¦ ^{@\[¦, ]> ^{|[¦}, ¦ [@=\¨=^] }| '¦[`v` ¦ '¦=. '¦[`v\ @|{|[¦}\¨, ~| |, ¦ x@¦`\ , \ § v }|[|]¨ \=` q|}`=` v\ [|@v`¦ ¦ ^{¦[\=`. \ \>`> {\v|=] v >@\^=`, v _=` [{@=``, v @q\=`, v `=`^] ¦ ^|| '¦=` («&\|̈́=vQ») [¦}{|[¦}\=, ~| [|v` |]=^] ¦ ’= {|28. \ ..
(12) + -/¥ ¥ ¥ ¥ " . 193. >|v`. |=| }=^] {@| {@|=`^=\[vv] ^_=¦ [|@>|[v|x| `==] =\ {@|^=|v\@|}v|§ ¦v=@{@=\¦§ |x| ]> @`=_\_. _¦v\¦¨ }¦\|x_ ]> }@\\=`v|x| =>^=_ ¨ ^v\ \x\v|x| @^=[_[\vv] ([̈́ /_ #_Z) {\@\¦]v @ }¦§ '_q¦[v`>\, >|=@`, v\ §q }_>_, `v`= ^[\[|: [{@|[\}_¨ ¦v}`[¦}_\v_ ^{|[¦}, «_}@_¨», __` >\]=`^] _ [`x\}\v`q x@¦q\q, _ ]>`q, \_=, ^\ [`vv. |¦ ^`=_\¦§ {|]x\¨ [ =|_, ~| v ¦x\=^] >|_v¦>\=`[v¦ v\^=\v|[` ^{¦[@||[v`>¦[: ^[]~v`> q| }|{||x=` ^]v\ _ {¦}x|=|[¦ }| ^{|[¦}¦, {¦}>\_`, ]>¦ _[\= x@¦q`, v\=|¦^= }` ^{@`\= |x| }¦§ ]> \[_ ¦ v\[¦= >¦}`[_ v|[\¦, |@\v_ ¦ ¦`v_ _=@_, v_~\vv]. <> ¦ [ 1# \ ̈́ , }¦\|x «¥^{|[¦}» \>¦v_¨=^] ¦}¨ x\@|v¦\¦§ }_q|[v`q ¦ \=@¦\v`q |^v|[ _==], ¨}v|^=¦ #@>[` ¦ }`v`. []~v`> @ v\ ^ ||[’]|> ¦ {@\[| [^=` \ ^|| {\@\¦]v, {|[\`, ]> x|=_[\=`^] }| ^{|[¦}¦, \ =¦ |¦]= ^_q\=`^] {\v|=], ||[’]>|[| [¦}[¦}[\=` q@\ («>|=@Q v _[ @ @|>, ={@ {|_[\»), \ |x| v\_>_ _}_= «{`vv>|, v\ _^ … |=\=`», ~| «q| =@|q` x@q|[ {|v\[\=`»29. {@_[\vv] v\@|}v| |[| _ |_ =[|@¦ ¦>| |x¦v =\ |¿@_v=|[\v |x]}_ v\ |x| \v@ (>|¦v` }¦\|x, `>` }| ¦v=@}¦§) =\ ^{`¦>_ @`{¦¨v=\ ({\@\¦]v` ^\ `v>`). | \@|>|[\ ¦}] {|>\]vv] =_= |@x\v¦v| {|¨}v_¨=^] >\^``^=`v| |@| §§ [=¦vv]. {@|^=_=^] v=` _@^>_. \>, _@|`^=\ \=|^@\ {@|}_@` ^{|[¦}¦, ]>|§ }|\x\¨=^] '_q¦[v`>, _[^ \^ {|@__¨=^] {@|^=|@¦v`` >|v=\@]` ^]v. ¦v\¦ }¦\|x_ {\@\¦]v` |¦]= ^_q\=`^] ^[]~v`>\ \ _|[` }|[|_ «^`[_q_ {`= }\ =\\>_ vq\=». |v` [¦@]=, ~| {¦^] {|[\v {\v|=] >|v «|` {@|}@ ^[|`, {|\`= [^ ». !¦v\ }¦\|x_ [¦}{|[¦}\¨ |v=||x¦§ _>@\§v^>|x| [\@¦\v=_ @|^[¦=v`=[\: \[=|@ {@|{|v_¨ ¦v`=` v ^[¦=, \ |^|`^=¦^= §§ |@\, _@¦[v|[\`=` ¦v=>=_\v {@|^=|v\@|}v, }_q|[v ¦ \=@¦\v _ ^_^{¦^=[¦. \ ^[]~v`>\ {|>\}v \[}\vv] \[}]>` {@|^[¦=¦ ^>@|[_[\=` @|_ «{@`@|}v|§» }`v` }| {@\[`v|x| [`|@_ }|^=|v|§ q@`^=`]v`v\ ¦v¦§ {|[}¦v>`. @|^[¦=v`>¦ ¦}§ }|@|[|x| x_}_, {@\[`v|x| @|@\q_v>_, ¦v_[\vv] }|@|x| =|[\@`^=[\ ¦ v`q v\^||} [=¦=^] _ [¦}||_ >@\[`[|_ }¦\|¦ «<@\@|>». \^v, ] ¦v=@}¦v\ ^v>\ |^29. \ , ^. 163..
(13) 194. ¥ . @}_¨ _[\x_ `=\\ (x]}\\) v\ {|_=|[`q @\¦]q `==] ¦ «\`q @\}|~\q» {@|^=|§ }`v`. `^vv`> [`][]¨ «^q`v¦^= }| _@^>v|x| x}|v¦_»30, |{`^_` \}|[|vv] ^[|§q {@^|v\¦[ [¦} [}\|x| =|@x_, {@`¨v|x| =|[\@`^=[\, }|@|§ §¦ ¦ {`=[\. ¦}{|[¦}v| }| >\^``^=`v|§ ^=`|[|§ ¦¨@\@q¦§ =[|@` {@| `==] {@|^=|}_ v\{`^\v¦ |[|, `>| }| v\@|}v|§. # ^=|^_¨=^] ¦ \@=¦[`[`q [¦@|[\v`q `^=¦[ ¥[\v\ >@\[`\, ]>¦ [¦}`[\= >|¦¦§ {@`[\=v|x| `==] {|=\-^[]~v`>\. @`>=v|, ~| ¦¦^= ¦ `q =[|@¦[ ][]= ^|| {\@|}¦§ v\ =@\}`¦v¦ =`>=v¦ \v@` ¦ {@`|`. \>, «`^|, v\{`^\vv| > ¥[\v_ !`̈́{|[`_» – \@=¦[`[\ {¦x@\\ v\ v{|[@vvv] ^_^¦}| {|`v|x| >\\\@]. |¦v` >= _ v|_ }|^]x\¨=^] \[}]>` v\xv¦=\vv _][[\v`q ]-x@|¨ vx\=`[v`q _`v>¦[, ]>¦ | ^|¦ }|[|`=` [¦}{|[¦}\v` \}@^\=. *x\}\[` v\@|}v {@`^¦[’] {@| =, «=| {|{ =| [`}`= [ }, =|=\^ [ >\@\v @=», {@^|v\ }`[_¨=^], |_ ¥[\v !``{|[` @ _: [¦v | «v {|{, =\>| v` {|{|[`». [¦}}\[` __ @¦, =\> ||[¦> | ^|¦ }|[|_ «_ {|Q>_ []=Q» ¦ >v`>` – «=^=\v=, ̈́=|{`^ @|^=|[^>¦, / ¦¦ ^[]~vv_, \ =@_} |x|^|[^>¦». +\@=¦[`[` [¦@ \>¦v_¨=^] ^@|v` v\{__[\vv], ]> ^=|^_¨=^] [`{@\[vv] v}|¦>¦[ \}@^\=\ }] |x| \x\. 5+, ' 0# 9 #̈́' ][]¨ ^|| [\@¦\v= [}]v|§ {|¦§ (eucharistica) v\ ^= }|@|}¦v`>¦[. *\ >\v|v| \v@_, _ [¦@¦ [`_=^] ^v|=` {\v|=] @^v¦] =\ |x| }@_`v` ¥@`v`, >|=@¦ }|=@`_=^] \{|[¦} |`q, [`][]` |[ ¦ ^{¦[_==] }| `v|x|. }@^\v= `^=\ |`=^] \ §q [[}vv] «[ \@^=[¦ v^v|» ¦ {¦}v|^`= }|^=|v_ «\{\=_» – [¦@¦. @\}`¦v¦ }] =`>=v`q ^`=_\¦ [¦@¦-\{@|vv] (5, ̈́ #Z " Z , 5 "̈́ _. ̈́ * # " Z, 5, "̈́ _. ̈́ * " 5 #, Z * 1 ! #̈́' ) \ ^=`|[| \v@| v\`\=^] }| [¦@¦[ \v}@¦[v`q }]>¦[. ¦=\v {@}_==] ^[]=\ (¦v`v, ¦}[\), v>=_[\vv] _ }|@|_ =|[\@`^=[¦ _ v`q {@}\¨=^] @ [\^=`[¦ v\@|}v¦ ^¦q|[¦ >_=_@¦ |{`^` \x\=|x| ¦v=@’¨@_ (`@|>` ^=¦ v|[` |^|v|), {@|^=|@¦ {@¦_[\v¦ @]}` ^=@\[ ¦ v\{|§[, x¦{@|¦\¦ ^=\v_ v\^`vv]: 30. ¦ | @ ^ > ` , # + # + 5# ' : #\ # ?, ^. 55..
(14) + -/¥ ¥ ¥ ¥ " . 195. '|@v>| {|\^=_, [`>` ^=\>\v|, | _} Q =̈́ [\= `|^=`[Q {\v|, …………………………………………………. Q ^>\ }|@|[ _[, |= {\v [\v, ̈́>| \^=_, \ {|>` x|@̈́|>` ^=\v; | v\=, q| =@=|x| }v] [\|x| {\=@|v\, <> v [x\}\ >_}` ` [^=\= ` |^|v\ 31.. 5 "̈́ _. ̈́ * " 5 #, Z * 1 ! #̈́' @¦}[]v\ ¦}] =|@^=[\ ¨}v|^=¦ \ ¦ *¦, |x\ ¦ }`v` |{@`][v¨=^] _ >\@=`v¦ @\}¦^v|§ _=` ^[]~v`>`q @|}`v ¦ ^{¦[\` ¦ {@`]v`` ^¦}\`: «]} }@_v| / [^̈́ |>@_v| / \ ^=|| _ q\=̈́, q|= v {\v^>|, / }\ v q\^>| / _} @||[]=`»32. @¦ [{`[¦[ v\@|}v|§ ^¦q|[|§ >_=_@` §§ >\@v\[\v` ^¦q|, {@|^=|@¦v| |[|, _ |_ =>^=¦ |v\ }|\`=` ¦ @|>\v¦ v=`, ]>-|= _[\x_ ]-x@|] }| >||@=_ ({^`q||x¦v|x| \=@¦\v|x|), ¦v_[\vv] \=|^@` \=`>_, ¦¦ x>|^=¦ `==], v\@|`=_ =\=@\v¦^= ^`=_\¦§. @`>=v|, ~| [¦@, v\ [¦}¦v_ [¦} _^¦q ¦v`q _ }|@|>_ ¥[\v\ >@\[`\, v\{`^\v` >||`>|[` @|¦@|. [|@¦^= |x| ^¦^>|x| {|=\-^[]~v`>\ \>\}¦v| |^[¦=| v v\`= }| ¦=@\=_@v|x| >\v|v_. }v\> [|v\ [`@\v| ¦^=@_¨ =v}v¦§ @|[`=>_ _>@\§v^>|x| {`^v^=[\ {@q¦}v|§ }|`, \ [¦}=\> {|=@_¨ ^_\^v|x| {@|`=\vv]. “CHOCZ NE PAN KO, DA I NE CHAM KO BUDEM ROZMOWLATY” – A GENRE-STYLISTIC CHARACTERISTICS OF IVAN NEKRASHEVYCH’S WORKS Summary The article deals with the syncretistic stylistic paradigm of priest Ivan Nekrashevych’s creation, which is structured by aesthetic trends of the second half of the eighteenth century. It is determined that in Ivan Nekrashevych’s works there are classicism and rocaille elements along with baroque elements and literary tradition coexists organically with the folk humorous culture. Key words: stylistic syncretism, Baroque, Classicism, the Enlightenment, rococo, poetry, folk humorous culture. Translated by: Tadeusz Karowicz 31 32. 1( # _ . . ) # \ * , ^. 167. \ , ^. 165..
(15) 196. ¥ . „CHOCZ NE PAN KO, DA I NE CHAM KO BUDEM ROZMOWLATY” – CHARAKTERYSTYKA GATUNKOWO-STYLISTYCZNA TWÓRCZO CI IWANA NEKRASZEWYCZA Streszczenie W artykule omówiono synkretyzm stylistyczny twórczoci o. Iwana Nekraszewycza, uksztatowany pod wpywem tendencji estetycznych II poowy XVIII wieku. W tekstach autora obok elementów barokowych zauwaalne s równie wpywy klasycystyczne i rokokowe, za wysoka kultura literacka wspóegzystuje z ludow kultur miechu. Sowa kluczowe: synkretyzm stylistyczny, barok, klasycyzm, owiecenie, rokoko, poetyka, ludowa kultura miechu.. «% /, ' %&/ '& *&<…» + -/¥ ¥ ¥ ¥ " ^=\==¦ @|x]v_=| ^`v>@=`v_ ^=`|[_ {\@\}`x_ =[|@|^=¦ ^[]~v`>\ ¥[\v\ >@\[`\, ^=@_>=_@|[\v_ ^==`v`` =v}v¦]` }@_x|§ {||[`v` %V¥¥¥ ^=. *\_[\v|, ~| _ v¦, {|@_ ¦ \@|>|[``, {@|^=_=^] >\^``^=`v¦ ¦ @|>\v¦ v=`, \ >v`v\ =@\}`¦] |@x\v¦v| ^{¦[¦^v_¨ v\@|}v| ^¦q|[| >_=_@|. : ^=`|[` ^`v>@=`, \@|>|, >\^``, @|^[¦=v`=[|, @|>|>|, {|=`>\, v\@|}v\ ^¦q|[\ >_=_@\..
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