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Sound Is/As Sense


Academic year: 2021

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5 Contents

Preface (Wolfgang Görtschacher, David Malcolm) . . . 7 Acknowledgements

(Wolfgang Görtschacher, David Malcolm) . . . 8 Sound Is/As Sense: Introduction

(Wolfgang Görtschacher, David Malcolm) . . . 9

Derek Attridge

Sound Reading: Don Paterson’s Lyric Principle . . . 23 Vincent Broqua

Close-reading Analysis of Some Aspects

of Rhythm and Sound in Harryette Mullen’s Parodies

of Shakespeare, or the Poetics of Muzak and Sonar . . . 39 Andrew Eastman

Rhythm as Continuum:

Grammar, Speechsound and the Invention

of Nature in Lorine Niedecker’s “Paean to Place” . . . 57 Kit Fryatt

“Mauling the music”:

Southrons (and Others) Reading Briggfl atts . . . 79 Wolfgang Görtschacher

Slitting the Poem’s Throat to See What Makes It Sing:

Sound / Sense Maps in Paula Meehan’s Poetry . . . 95 David Lloyd

Sound and Sense

in R.S. Thomas’s Later Poetry . . . 109 David Malcolm

“I feel the force and virtuousness of rhyme”:

Roy Fuller Celebrates the Sonnet and Its Sounds . . . 119


Frederick Morel

Rhythm and Musicality in Ezra Pound’s

“The Seafarer” and “The Return” . . . 131 Martina Pfeiler

“Sonic Revolutionaries”: Self-Refl exivity, Remediality

and Cultural Specifi city in Saul Williams’ Poetry . . . 151 Monika Szuba

“Little tongues of life”: David Constantine’s Sustained

Associations between the Sound and the Sense . . . 169 Jean Ward

“Be quiet and listen, listen”.

Sound, Rhythm and the Paradoxes

of History and Faith in Elizabeth Jennings’ Poetry . . . 181 Tomasz Wiśniewski

On Methods of Meaning Creation

through Sound Orchestration . . . 201 Bartosz Wójcik

Jamaican Soundscapes in Selected Poems

by Kei Miller: A Prelude in Seven Notes . . . 217

Authors’ Notes . . . 237


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