• Nie Znaleziono Wyników

Preface to the Second Edition

N/A
N/A
Protected

Academic year: 2022

Share "Preface to the Second Edition"

Copied!
1
0
0

Pełen tekst

(1)

Preface to the Second Edition

This dictionary has been designed to fulfil the needs of film studies courses and film/literature courses, but I hope that it will be also a comprehensive reference book in English for general readers interested in cinema. The present volume comprises about 500 terms used in film theory and criticism. The terms are up-to-date and include many illustrative examples as well as cross-references printed in SMALL CAPITAL letters. The arrangement is strictly alphabetical.

For this edition I have added many new entries expanding the dictionary's coverage of all aspects of film studies. A select bibli- ography offers some guidance to those readers who need extended information on various aspects of film theory and criticism, film movements and genres, film production and technology, and the relationship between film and literature.

A.W.

Preface to the Second Edition 2014-08-14 07:40:22 7

Cytaty

Powiązane dokumenty

Superbohaterem, rozpoznanym jako taki przez Elijaha Price’a (S .L. Po katastrofie kolejowej, wskutek której wszyscy pasażerowie oprócz niego samego giną, zaczyna się orientować,

Który z tych zawiasów byłoby łatwiej zgiąć? Otocz.. Karta pracy do e-Doświadczenia Młodego Naukowca opracowana przez: KINGdom Magdalena Król. Klasa II Tydzień 11

Muzyka filmowa – odmiana muzyki poważnej (klasycznej) oraz innych gatunków muzyki, komponowana specjalnie na potrzeby dzieła filmowego, dla jego ilustracji.. Muzyka filmowa

Apart from these elements, one can also enumerate such features of Poe’s literary detective as the nature of a loner, a recondite turn of mind, a condescending

These various ‘petty mysteries’ serve to foreclose any genuine metaphysical experience, while at the same time expressing the insatiable desire for this experience; one can

Various subjects have been covered such as spatial and spatiotemporal restoration, classification of complex event areas, as well as motion estimation by means of object

Moving the assembly process closer to the customer, is especially interesting for components with a high value density that are assembled into final products with a low value

Hungarian cinema was also discussed on the occa- sion of various reviews, however, the most common chance to take a look at this cinematography, not only through the prism