Table of Contents
MałGorzaTa sMorąG-różycka
“Mary has filled me with amazement that she gave milk to the One who feeds the multitudes”: Notes on the Byzantine Iconography
of Maria Galaktotrophousa / 5 Mirosław P. kruk
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas
and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow / 27
Paulina zielińska
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century / 55
aleksandra sulikowska-bełczowska
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art / 71 doroTa walczak
The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution / 93
aniTa kunikowska
Two Orthodox Churches (the Old and the New) of the Holy Apostles Peter and Paul in Kalisz / 109
karolina Mroziewicz
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs / 133
zuzanna Flisowska
Biblical Typologies as Means of Visual Exegesis: The Case of Aleksander Tarasewicz / 157
Tabele of Contents Joanna sikorska
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers / 171
karolina zalewska
The Retable of the Main Altar from the Parish Church of Saint John the Baptist in Łekno (German: Bast), Dating from 1588 / 187
Michał wardzyński
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia / 211
