Contents
Preface. Relationality of the canon 3
REPETiTions
Alicja Baluch
Poetic „cross sections” – from Trembecki to Grochowiak 9
ConTinuaTions and REvisions
Radosław Sztyber
Poland from the perspective of the 18th century
in the prophetic visions of Wojciech Dembołęcki 15
Beata Garlej
Ingarden’s understanding of the notions of
content and form of a literary work of art 31 Katarzyna Starachowicz
(De)canonizing dimensions of a philosophical tale.
Casus by Jerzy Szaniawski 48
Arkadiusz Sylwester Mastalski
An unfaithful phrase. Semantics of the enjambment in Mieczysław Jasturn’s translations of Das Buch der Bilder by Rainer Maria Rilke 64 Anna Spólna
„I hear their voices”. Hymnus trium puerorum by Jarosław Iwaszkiewicz
in comparison with Dziady by Adam Mickiewicz 76
Katarzyna Wądolny-Tatar
Variety of poetic treaties by Urszula Kozioł 89
Przemysław Rojek
My autumn, the sore legs of my mother, the public houses of my Lublin friends.
Eugeniusz Tkaczyszyn-Dycki and imitating nothing 103
Iwona Pięta
The effect of a breakthrough,
or whether talking about the canon makes sense 116
Ewa Kołodziejczyk
When Miłosz and Masłowska enter the metro 128
[192] Filip Szałasek
The poetics of an empty city.
Urban landscapes in catastrophic science fiction 138
dEbuTs
Kalina Grzegorczyk
Ryszard Kapuściński’s non-canonical reportage – Podróże z Herodotem 158
PaRaTExTs and CommEnTs
Magdalena Roszczynialska
„It amused me to recreate something in a particular style...”. Magdalena Roszczynialska’s talk with Hanna Sokołowska,
the author of Kosa, czyli ballada kryminalna o Nowej Hucie 170 Zbigniew Bauer
Important book about important issues 183
